Juan Eugenio Hartzenbusch was a Spanish dramatist. He was the Director of the National Library of Spain until he retired in 1875.
In 1837 produced his first original play, Los amantes de Teruel, the subject of which had previously been used by Andrés Rey de Artieda, Tirso de Molina and Juan Pérez de Montalbán. Los amantes de Teruel at once made the author's reputation, but Doña Mencía (1840) and Alfonso el Casto (1841) were disappointments; it was not till 1845 that he repeated his former success with La jura en Santa Gadea.
In 1837 produced his first original play, Los amantes de Teruel, the subject of which had previously been used by Andrés Rey de Artieda, Tirso de Molina and Juan Pérez de Montalbán. Los amantes de Teruel at once made the author's reputation, but Doña Mencía (1840) and Alfonso el Casto (1841) were disappointments; it was not till 1845 that he repeated his former success with La jura en Santa Gadea.
Juan Eugenio Hartzenbusch was a Spanish dramatist. He was the Director of the National Library of Spain until he retired in 1875.
In 1837 produced his first original play, Los amantes de Teruel, the subject of which had previously been used by Andrés Rey de Artieda, Tirso de Molina and Juan Pérez de Montalbán. Los amantes de Teruel at once made the author's reputation, but Doña Mencía (1840) and Alfonso el Casto (1841) were disappointments; it was not till 1845 that he repeated his former success with La jura en Santa Gadea.
In 1837 produced his first original play, Los amantes de Teruel, the subject of which had previously been used by Andrés Rey de Artieda, Tirso de Molina and Juan Pérez de Montalbán. Los amantes de Teruel at once made the author's reputation, but Doña Mencía (1840) and Alfonso el Casto (1841) were disappointments; it was not till 1845 that he repeated his former success with La jura en Santa Gadea.
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